{fn. 2. Was it necessary he should fall singing to his drumming on the basin? But I subjoin a note here, suggested by the paragraph, which might have found, perhaps, a more appropriate place in the notice of this Book in vol. xxxix, pp. 149, 150. In Sir John F. Davis' 'Description of the Empire of China and its Inhabitants (edition of 1857),' vol. ii, pp. 74-90, we have the amusing story of 'The Philosopher and his Wife.' The philosopher is Kwang-dze, who plays the part of a magician; and of his wife it might be said, 'Frailty, thy name is woman!' Sir John Davis says, 'The story was translated into French by Père d'Entrecolles, and supplied the materials of Voltaire's Zadig.' I have not met in Chinese with Father d'Entrecolles' original. All of Zadig which can be supposed to have been borrowed from his translator is only a few sentences. The whole story is inconsistent with the account in paragraph 2 of the death of Kwang-dze's wife, and with all which we learn from his writings of his character.} {fn. 3. We know nothing of these parties but what we are told here. They are called Shû, meaning 'uncle,' often equivalent in China to our 'Mr.' The lesson taught by them is that of submission to pain and death as merely phenomena in the sphere of change. For the phraseology of their names, see Bk. III, par. 3, and Bk. IV, par. 8.} {p. 6} you dread it?' 'No,' replied he, 'why should I dread it? Life is a borrowed thing. The living frame thus borrowed is but so much dust. Life and death are like day and night. And you and I were looking at (the graves of) those who have undergone their change. If my change is coming to me, why should I dislike it?'
Source: Internet Sacred Text Archive, file tao/sbe40/sbe40.htm.
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